44°F
weather icon Clear

Leader of Shakespeare seminars spreads joy of theater

For the past 13 years, my trips to the Utah Shakespeare Festivalf have been enriched by the presence of Nancy Melich, a former journalist who guides give-and-take discussions about the plays the morning after.

We’ve never even had a cup of coffee together, yet she seems like a longtime friend, one who broadens my worldview, which is what best friends do.

Her discussions at 9 a.m. and 10 a.m. have become part of the festival experience, a not-to-be missed appointment for many.

For nearly 30 years, Melich worked as a reporter, feature writer and self-taught theater critic for the Salt Lake Tribune. She retired in 1999.

In 2004, the native Utahn was approached by festival founder Fred Adams and Executive Director R.Scott Phillips, who said UNLV professor Jerry Crawford was leaving as a literary seminar director after 15 years. Would she take the job? They said “come for a year or a lifetime,” she recalled.

It turned into a 13-year second career, one she described as “life enriching.”

“I have immense respect for this place, it’s a very empowering place for people,” Melich said in a phone interview.

On Sept. 18, Melich will give her final play seminar. She’ll talk about “The Odd Couple,” “Cocoanuts,” “Murder for Two” and “Julius Caesar.” I suspect the new outdoor seminar site, with seating for 180, will be packed.

The festival draws about 25,000 Southern Nevadans each season. The drive from Las Vegas to Cedar City typically takes less than three hours.

The unsafe outdoor Adams Shakespeare Theater had its final performances in 2015. This year, the much ballyhooed $39 million Beverley Taylor Sorenson Center for the Arts opened, which added two new theaters, the Engelstad Shakespeare Theater, the 200-seat Eileen and Allen Anes Studio and the Southern Utah Museum of Art. The Engelstad Theater and the Anes Studio carry the names of two Las Vegas families who are major donors.

The new theaters, plus the existing Randall L. Jones Theatre, made it possible to produce eight plays over this summer and fall.

Each June for 13 years, Melich and her husband have moved from Salt Lake City to Cedar City so she can guide the play seminars for four months. For the past six years, she has been the sole director, working six mornings a week.

Every seminar is unique, depending on the audience. She might talk about other productions she has seen, or explain choices made by directors, scenic designers and costume designers.

Sharing her insights broadened my own.

For instance, talking about “Henry V,” directed by Brian Vaughn, she pointed out some of the touches he inserted that she hadn’t seen elsewhere, such as the moment when English soldiers sang to God for giving them victory over the French.

Sometimes audience members tested her, taking a “Let’s just see how smart she is” approach.

In her second year, one man raised his hand and said, “I’ve been coming here a number of years. The first year I couldn’t stand you. You’ve really grown in the job.”

She replied in her gentle way: “I think I’ve just received a compliment.”

“I know there are people who are more knowledgeable,” she said. If she doesn’t know something, she admits it. She doesn’t try to bluff.

But almost every time, I find her discussions worthwhile — except when a know-it-all hogs the microphone.

“I’ll spar with some people,” Melich said. “Occasionally there are such obtuse comments, I’ll say: ‘I have no idea what you’re talking about.’” Other times, her audience shares insights of great value.

Many people opt to sleep in rather than scurry to a 9 a.m or 10 a.m. discussion. Many aren’t even aware of the seminars and the joy of exchanging ideas and seeing plays from other perspectives.

For me, the play’s the thing, of course. But so is talking about it afterward. Asking questions. Hearing what moved people to tears.

“I don’t think of it as retirement. I’m starting another adventure,” Melich said.

Her new adventures could bring her joy as much as journalism did, as much as working at the Utah Shakespeare Festival has.

Work that brings you joy is always a great adventure.

Jane Ann Morrison’s column runs Thursdays. Leave messages for her at 702-383-0275 or email jmorrison@reviewjournal.com. Find her on Twitter: @janeannmorrison

Don't miss the big stories. Like us on Facebook.
MORE STORIES
THE LATEST
Cab riders experiencing no-shows urged to file complaints

If a cabbie doesn’t show, you must file a complaint. Otherwise, the authority will keep on insisting it’s just not a problem, according to columnist Jane Ann Morrison. And that’s not what she’s hearing.

Are no-shows by Las Vegas taxis usual or abnormal?

In May former Las Vegas planning commissioner Byron Goynes waited an hour for a Western Cab taxi that never came. Is this routine or an anomaly?

Columnist shares dad’s story of long-term cancer survival

Columnist Jane Ann Morrison shares her 88-year-old father’s story as a longtime cancer survivor to remind people that a cancer diagnosis doesn’t necessarily mean a hopeless end.

Las Vegas author pens a thriller, ‘Red Agenda’

If you’re looking for a good summer read, Jane Ann Morrison has a real page turner to recommend — “Red Agenda,” written by Cameron Poe, the pseudonym for Las Vegan Barry Cameron Lindemann.

Las Vegas woman fights to stop female genital mutilation

Selifa Boukari McGreevy wants to bring attention to the horrors of female genital mutilation by sharing her own experience. But it’s not easy to hear. And it won’t be easy to read.

Biases of federal court’s Judge Jones waste public funds

Nevada’s most overturned federal judge — Robert Clive Jones — was overturned yet again in one case and removed from another because of his bias against the U.S. government.

Don’t forget Jay Sarno’s contributions to Las Vegas

Steve Wynn isn’t the only casino developer who deserves credit for changing the face of Las Vegas. Jay Sarno, who opened Caesars Palace in 1966 and Circus Circus in 1968, more than earned his share of credit too.

John Momot’s death prompts memories of 1979 car fire

Las Vegas attorney John Momot Jr. was as fine a man as people said after he died April 12 at age 74. I liked and admired his legal abilities as a criminal defense attorney. But there was a mysterious moment in Momot’s past.