Pete Berg knows men.
Movies
‘Inside Llewyn Davis’ is the Coen Brothers’ intimate portrait of a week in the life of a Greenwich Village singer. But your reaction largely will depend on your love or tolerance for folk music.
“Her” is the first great movie of 2014, despite a premise that sounds absolutely ridiculous.
“Her” is a love story that’s sad and funny and touching and overflowing with every bit of the inventiveness you’d expect from the visual visionary Spike Jonze.
“August: Osage County” is messy, rambling and dark. But it has a great cast that puts the fun in dysfunctional.
Netlifx made available plenty of new offerings on Jan 1. Here are 10 to check out if you want to avoid embarrassing yourself the next time a co-worker asks if you’ve seen “a classic.”
On a wintry weekend, Disney’s “Frozen” retook the box-office top spot with $20.7 million, freezing out the horror spinoff “Paranormal Activity: The Marked Ones.”
A coroner’s report says the Porsche carrying “Fast & Furious” star Paul Walker may have been going 100 mph or more before it crashed, killing both Walker and the driver.
It may seem a little soon to start looking ahead to some of the big movies for next holiday season. Especially since several of last year’s high-profile holiday releases — “Her,” “Lone Survivor,” “Inside Llewyn Davis” and “August: Osage County” — won’t open in Las Vegas until Jan. 10.
What: “Paranormal Activity: The Marked Ones”
Over the bustling post-Christmas holiday weekend, Peter Jackson’s “The Hobbit: The Desolation of Smaug” continued to lead the box office, as it landed in the No. 1 slot for the third weekend in a row.
Historians may look back on 2013 as the year of “blockbuster fatigue,” as an unprecedented number of big event movies tanked this summer.
Despite summertime flops, Hollywood is expected to coming in just shy of $11 billion at the box office for 2013, the largest take ever. But because of higher ticket prices, actual attendance at North American theaters remained flat after a decade of decline.
Even as new filmmaking centers help spread Hollywood’s wealth around the world, the boost to local economies comes at a personal cost to the specialists who must follow the work. As movie production migrates from place to place, friendships get left behind and raising a family can be difficult.