Frank Marino has committed to an unspecified financial settlement to Make-A-Wish covering donations he’d promised the charity.
Kats
John Katsilometes’ column runs daily on Page 3A. Email jkatsilometes@reviewjournal.com. Follow him at @johnnykats on Twitter and @JohnnyKats1 on Instagram. Listen to the latest episodes of his PodKats! podcast here.
Richard “Old Man” Harrison placed his son Rick Harrison in charge of his estate. No surprise there. But The Old Man’s decision to leave one of his other sons out of his will sparked international media attention Tuesday.
The gallery featured in “Who Is America?” is co-owned by Sandy Murphy, who was at the center of the infamous case.
The pairing of KC & The Sunshine Band and Village People makes sense if you know they were at the forefront of the disco revolution in the mid-to-late 1970s, and Palace Station opened as The Casino on July 1, 1976.
Brad Garrett is an animated sort. This is true in his disposition and in his career choices.
Gwen Stefani’s show is selling well enough to make a profit at Zappos Theater.
Asking David Perrico for the highlight of performing with Paul Shaffer is something of an unfair question.
Hyde Bellagio has been a club of choice for a veritable NBA all-star team.
One day, or night, Daniel Emmet will sing the “America’s Got Talent” medley in a Las Vegas showroom.
“As of now, we are just taking a breather and deciding what we want to do in the future,” Wayne Newton said. “We have not wanted to make any rush decisions.”
As Jonnie and Mark Houstons’ first Las Vegas nightlife venture, On The Record is due to open New Year’s Eve at The Park MGM.
BSB’s final set of shows are Feb. 6-April 27. Tickets at on sale 10 a.m. Friday for the final burst of performances.
Travis Barker seems like he’s boasting, though it’s a strange topic about which to brag.
It took about two years to prepare for less than 10 seconds of motorcycle flight on the Las Vegas Strip.
The Nitro Circus show scheduled for Bally’s is not the first time an Evel Knievel-inspired event has been designed for the stage. David Saxe attempted to develop a live tribute to Knievel’s 1967 Caesars Palace jump about five years ago for “Vegas! The Show” at Saxe Theater.