Terry O’Quinn portrays a man who solely and steadfastly believes in the seemingly impossible in a series produced by J.J. Abrams. Also, there’s a mysterious hatch.
Christopher Lawrence
Christopher Lawrence is the movie critic for the Las Vegas Review-Journal.
clawrence@reviewjournal.com … @life_onthecouch on Twitter. 702-380-4567
There’s more than a hint of resignation in the title. It practically sounds like a sigh.
It’s hard to imagine there wasn’t some sort of blackmail in play. Or, at the very least, a seriously compromising video or two.
“Skyscraper,” Dwayne Johnson’s hostages-in-a-high-rise action spectacle, owes an obvious debt to “Die Hard.”
You’re going to want to have friends or loved ones nearby. You might even consider adopting an emotional support duck.
HBO still has “Game of Thrones,” one of the biggest shows on TV. But lately, the premium channel has made the most noise by thinking small.
On July 15, 1988, Bruce Willis burst onto movie screens as John McClane, the lone hero trying mightily to save his wife from inside a tall building, in “Die Hard.”
A little Ant-Man goes a long way.
“I’ve said it before, and I’ll say it again, ‘If you don’t get Jerry Lewis, you don’t understand comedy.’ ”
You could check out the latest episodes of NBC’s “American Ninja Warrior” (9 p.m. Monday) and “America’s Got Talent” (8 p.m. Tuesday).
One of the least likely sequels since “Weekend at Bernie’s 2,” “Sicario: Day of the Soldado” seems engineered for maximum confusion.
Some films adapt classic works of literature. Others stem from original ideas fashioned by revered auteurs.
He’s been hunted by an immortal deathbringer known as the Saint of Killers. He’s had part of his spirit drained by the Japanese corporation Soul Happy Go Go. And he’s held the lifeless body of his one true love.
It’s been three years since the theme park was destroyed, and now Isla Nublar itself is in danger. There’s an active volcano on the island, ready to erupt at any minute, that will kill every last remaining dinosaur.
The Hero of Harlem is the social conscience of Marvel’s Netflix universe.