The Las Vegas Centennial Commission is considering spending $1 million to buy land under the historic Huntridge Theater, which was built in 1944 at the corner of Charleston Boulevard and Maryland Parkway.
Arts & Culture
Do you speak ballet? Our extensive artistic vocabulary doesn’t quite cover this: What is froufrou ballet-speak for “shtick”?
Nicky Silver’s play “The Lyons,” a fierce, final offering of Cockroach Theatre’s 10th anniversary season, is chock-full of painful moments — but they’re outrageously funny.
It’s not “The Nutcracker,” but Nevada Ballet Theatre’s season-ending production of “Coppelia” has more than a few similarities with the Yuletide favorite, from its living-doll title character to its fanciful score, sets and costumes.
Whether you’re looking for a jazz singer, a family festival, classical music or a Mother’s Day show, we’ve got some suggestions for your weekend plans.
How ingrained is “A Bronx Tale” in Chazz Palminteri’s DNA?
Working a glass tube through the flame, Robert Shield can mold a simple piece of Pyrex into a swan, a heart and many other designs.
Art festivals usually are about viewing the work of artists and, then, maybe dropping a few dollars to purchase one of their pieces to display in your own home. But visitors to this weekend’s Art Festival of Henderson also will have the chance to take their artistic leanings one step further by putting their own talent to work by painting a piece that they can take home and hang on their own walls.
Jerry Lewis always has been associated with pictures — moving pictures, that is. During his Hollywood heyday, however, Lewis also trained his eye — and camera — on another type of pictures — and they’re the focus of a new exhibit opening Friday at UNLV’s Marjorie Barrick Museum.
Drawing room comedies are tricky things. Stylistically, nobody did them better than Noel Coward. Then along comes a modernist one by Jon Robin Baitz, with crisp rather than droll dialogue. The main plot of “Other Desert Cities,” a finalist for the 2012 Pulitzer Prize for Drama, brings to mind a couple of Pat Conroy novels.
In an era of Bluetooth technology and smart phones, an evening of operas centered on the old-fashioned telephone might seem as quaint as if the singers were riding about the stage in horse and buggy. Yet, Sin City Opera’s production of “The Telephone” by Gian Carlo Menotti and “The Human Voice” by Francis Poulenc are oddly resonant with modern technology, seeming to comment upon both obsessive texting and dropped cell calls. Can you hear me now?
If you were driving past The Venetian Las Vegas today and thought you saw Spider-Man crawling on the side of the building, don’t worry, you aren’t going insane.
Nevada Conservatory Theatre presents a version of the adored musical “Grease” that is within reach but frustratingly slips through the fingers.
Soprano Renee Fleming filled Reynolds Hall on Thursday with her incomparable voice and her infectious personality.
Nevada Conservatory Theatre’s ‘Grease’ combines elements of stage, screen favorite.