Pottery of all types coveted by collectors

Rookwood, Roseville, Weller, Grueby, Ohr and other potteries were soon “discovered” by collectors, and prices began to rise. Collectors with limited budgets searched for works by some of the smaller, lesser-known potteries. Today, because the best of early 20th-century art pottery is in museums or private collections, prices are very high. A $25 vase in 1974 could be worth $2,000 today. So, collectors have turned to English, French or German art pottery.

It is surprising how similar some of the techniques, shapes and designs appear when you compare American with European art pottery. One easy-to-trace technique is iridescent glazing. Jacques Sicard made an iridescent glaze for his pottery in France and later for Weller Pottery in Ohio. The metallic luster was so successful that Sicard was determined not to give away his secret. He is said to have worked in a secret room with no peepholes at Weller. But other potteries in both the United States and France were able to make a similar metallic luster.

Today, all pre-1930 luster-glazed art pottery from France or the United States is very collectible.

Q: We bought a 10-piece dining-room set at auction several years ago. There’s a medallion in the drawer of the buffet that reads, “Special design made for James McCreery & Company, New York, N.Y.” I’d like information about the set and its maker. Can you help?

A: McCreery & Co. was a major New York City department store, not a furniture maker. There also might be a maker’s mark on your furniture.

McCreery’s sold quality furniture by various makers, including Drexel and the Byrdcliffe Art Colony. Pieces often were marked by both the store and the maker.

McCreery & Co. opened in 1867 as a silk retailer, but within three years, its founder, James McCreery (1826-1903), bought a large building on Broadway and added several other departments to the store. So McCreery’s became an early New York department store.

McCreery’s closed in 1953, so your set was made before then.

Q: Can I clean my old glass candy containers so they’ll shine the way I think they did when they were new. Many of mine are covered with grease and grime, and some have yellowed.

A: Gentle washing with mild dishwashing liquid in warm (not too hot or too cold) water is OK. Be careful not to scratch or chip the glass. If the container has a paper label, don’t let it get wet.

Q: You’re always suggesting that people store their old photographs, postcards, baseball cards and papers in “archival albums” or “archival boxes.” What do you mean?

A: Anything printed on paper that you want to preserve should be stored in specially treated albums or boxes. They’re called “archival” because they’re designed for archiving things for generations. Photos, for example, won’t fade as quickly or be ruined by moisture or insects if they’re stored in archival albums or boxes. They’re acid-free and treated with buffering agents that resist dust, dirt and light.

You can buy museum-quality storage boxes and albums online or at some high-end photography or picture-framing stores.

Q: We recently inherited a Hardman grand piano that I’m guessing is about 80 years old. I have never heard of Hardman pianos. What can you tell me about the company?

A: Hugh Hardman established the Hardman Piano Co. in New York City in 1842. Leopold Peck joined the company in 1880. When he became a partner in 1890, the company’s name changed to Hardman, Peck & Co.

Hardman pianos were recognized for their fine musical qualities, beauty and durability. Hardman Peck was the official piano of the Metropolitan Opera in the early 20th century and the official White House piano during Franklin Roosevelt’s presidency.

Hardman, Peck & Co. was later bought by Aeolian Corp., a piano maker that went out of business in the 1980s. The trade name was later acquired by North American Music, a piano distributor. Hardman pianos are now made overseas.

Q: Should I polish my antique silver or leave it tarnished?

A: Go ahead and polish it. It will look a lot better. And silver sells better when it’s clean.

Q: I have a piece of furniture that looks like a footstool with a post in the center, making it about 5 feet tall. A metal tag on the bottom reads: “Cushman Colonial Creation.” Can you tell me what it might be?

A: We were as baffled as you by your strange piece of furniture until we discovered the history of Cushman Colonial Creations.

The very inventive members of the Cushman family opened a business in 1867 when Henry Theodore Cushman began making corks. He used the waste from the corks to stuff mattresses that he sold. By the 1870s, he had a factory and invented novelties to sell through a mail-order company. His inventions included the first ink eraser, the first pencil and ink eraser combination, the first children’s pencil box and the first ink eradicator. He even made pocket-size roller skates he rolled into a tube.

By 1886, he was making coat and hat hangers and racks, his first furniture. Next came umbrella racks, easels, bookracks, stools and fireplace screens.

The H.T. Cushman Manufacturing Co. of Bennington, Vt., was founded in 1889. At first it made Mission furniture, then some more original inventions. One was the Betumal (“beat ’em all”), a telephone stand with a hinged stool that swung into the stand for storage. The 1920s saw more Cushman innovative furniture, including smoker’s furniture like standing ashtrays. And this is what we think you own — the stand for an ashtray. The pole must have held a large ashtray and sections for pipes, matches and other accessories.

The Colonial Creations line of furniture was introduced in 1933. Early pieces were designed by Herman DeVries, a famous Dutch designer. The inventive firm adapted ideas from blacksmiths’ mailboxes or cobblers’ benches for an Early American look. The scuffed maple finish made the furniture look old and the line remained popular for more than 30 years.

The company was sold in 1964, then sold again and renamed. It went out of business in 1980.

Tip: To remove the remains of sticky glue and tape from antiques, try peanut butter on the sticky area until the glue is gone. Do not use this method on porous materials. Oil from the peanut butter could leave a stain.

Ralph and Terry Kovel’s column is syndicated by King Features. Write to: Kovels, (Las Vegas Review-Journal), King Features Syndicate, 888 Seventh Ave., New York, NY 10019.